Sadeh festival, festival of fire, Varjavand, Karaj, Iran.
Sadeh festival, festival of fire, Varjavand, Karaj, Iran.
Sadeh festival, festival of fire, Varjavand, Karaj, Iran.
Sadeh festival, festival of fire, Varjavand, Karaj, Iran.
Sadeh festival, festival of fire, Varjavand, Karaj, Iran.
The Saltman, (perhaps Iranian Zoroastrian), 200 AD, Zanjan, Iran.
The Zoroastrian Iranian woman is praying in the Azargoshasp Fire Temple,...READ ON
The Zoroastrian Iranian woman is praying in the Azargoshasp Fire Temple, which is no longer active and is a historical site. Zanjan, Iran.
The Zoroastrian Iranian woman in the Azargoshasp Fire Temple, which is no...READ ON
The Zoroastrian Iranian woman in the Azargoshasp Fire Temple, which is no longer active and is a historical site. Zanjan, Iran.
The Fravahar symbol, more accurately the Farreh Kiani , a symbol of divine...READ ON
The Fravahar symbol, more accurately the Farreh Kiani , a symbol of divine protection in ancient Iran.
Several years ago, a friend of mine met the Iranian photographer of Magnum Agency, the late Abbas Attar, my favourite photographer. I asked my friend to ask him: "How come you have photographed all the world's major religions but not Zoroastrianism, our ancient Iranian religion?" He replied that they are protective towards their religion, and it is difficult to access their communities. At that time, I had already started a project in 2010 using my analog camera, Nikon F100, for a subjective narration of Iran's pre-Islamic religion, Zoroastrianism. The black-and-white photos for the project were inspired by the dualistic theology of Zoroastrianism based on the battle of light and darkness. Inspired by one of Abbas's long-term photo projects, "Children of Abraham, I named the project "Children of Mazda". However, due to constant obstacles, I could not continue the project and paused it at its early stage. I look forward to restarting the project if the future allows.